
(The impressive Museum of Islamic Art in Doha, Qatar)
A nice palm-lined road with a small cascade running down leads up to the museum - and it is already clear that geometric shapes and symmetry play a large role here (as they do in Islamic art):

(Leading up to the museum)
It'll be date season soon - the dates are growing but are still green:

(Date palm along the road leading up to the museum)
This little bird was eating one of the unripe dates:

(Bird eating an unripe date outside the museum)

(Bird outside the museum)
There is one thing I really appreciate when it comes to museums in the Gulf region: most of them charge no entrance free! I am not sure if it is in order to cultivate a culture of going to museums (something that isn't as prevalent here as in the west for example) or whether it's that the governments have enough money and don't need the entrance fees. Either way, I appreciate it! It's not that I don't want to pay to see what they have on display. There are plenty of museums back home that I have never been to even if they have beautiful collections - the entrance fees are so high that I would never just go for an hour or two - I feel like I would have to see the entire collection to get my money's worth (and because I probably wouldn't come back any time soon). This way I keep putting it off for a rainy day and end up not seeing them.
Inside the museum is this impressive atrium (the entrance door is in the middle of the picture) - it is so thought-through and so geometric. I rarely get really excited about buildings but this one was nothing short of amazing:

(Atrium, entrance level)
At the very top there is a bit of daylight coming through:

(Daylight coming through the top of the atrium)
The atrium - and the giant circular lamp with traditional patterns providing some pleasant indirect light:

(The atrium)
The first thing that becomes visible immediately when one enters the museum is this huge window frame which offers unobstructed views of the Doha city skyline:

(The atrium (seen from the first floor) with its huge window frame)

(View of the Doha city skyline from the atrium - the museum is built in the water hence the unobstructed view)
There was an excellent temporary exhibition on pearl diving, cultivation and trade across the world and across times. It was a really beautiful collection of some of the best pieces in the world and like the rest of the museum it was so well thought-through, detailed and with perfect displays in Arabic and English (no photos allowed). I am not generally a big museum fan but I was really impressed with the quality.
A real favorite of mine is Arabic calligraphy. I truly appreciate the shapes of the letters and the skill of the person who has written them (as I appreciate Chinese calligraphy for the same reason). Being able to write Arabic myself now - with the handwriting of a 6-year old I might add - certainly has not made me appreciate the skill any less... There was a lot of calligraphy on display at the museum - from beautiful illustrated books with golden decorations:

(Book with Arabic writing and beautiful illustrations)

(Book with Arabic writing and beautiful illustrations)
...to exerts from the Qur'an and other scripts in various styles of calligraphy from all over the Islamic world:

(Preserved Arabic calligraphy on display)

(Preserved Arabic calligraphy on display)

(Preserved Arabic calligraphy on display)

(Preserved Arabic calligraphy on display)
This one is a favorite - you can click on the photo to enlarge it - it has different animals drawn within the Arabic letters:

(Arabic calligraphy - with animal drawings in and around the letters)
The museum of course has many other items on display apart from calligraphy.
A book listing all the different star constellations with illustrations and explanations on how to identify them:

(Book of constellations)
...along with a model of the sky with the constellations marked on it:

(Globe of the sky with constellations marked)
I cannot remember how old the items were but most of them were several hundred years old - I saw very few recent items on display.
Old anatomical drawings of the human body (as it was thought to look pre x-ray):

(Anatomical drawings of the human body)
A scared looking little blue monkey:

(Blue monkey on display)
And some of the traditional doors I described in my post about the Arab Fund building in Kuwait - no glue is used, it is all carefully carved pieces of wood put together in a complicated jigsaw puzzle that allows the pieces to move (depending on temperature):

(Traditional wooden doors)
And in a very old Egyptian version as well:

(Traditional wooden doors from Egypt - preserved through times)
The museum also has some beautiful wall carpets on display - intricately woven with patterns and Arabic writing in gold thread:

(Wall piece)
...as well as unique pieces of carpets custom ordered for past rulers and their palaces:

(Woven carpet on display)
...and of course paintings of past rulers:

(Paintings on display)
It's not just the items on display that are beautiful, the rooms are as well. Carefully selected construction materials, really amazing lighting and an atmosphere that is difficult to describe. It's the kind of place that makes you forget all about time and the world outside:

(One of the exhibition rooms)
The exhibitions are spread out over the different floors and each time one exits an exhibition room there is a new view of the atrium (that never seems to look the same):

(View of the atrium from an upper floor)

(View of the atrium from an upper floor)

(View of the atrium from an upper floor)

(View of one of the upper floors)
Another favorite of mine is ceramics (and the craft and skills that go into it):

(Blue glazed ceramic tiles with Arabic inscriptions)

(A glazed ceramic tile)

(Ceramic tiles forming a geometric pattern)

(Ceramic tile with Arabic inscriptions)
What I also really appreciated about the museum was that they offered an excellent audio guide (again free of charge) - that had extremely detailed information about Islamic art and its different periods in general and about the specific items. It even had a small screen where pictures and video clips were shown to offer more information or to allow a look into the inside of some of the pieces on display. I know many museums offer audio guides nowadays but this one was really something special - also because it allowed you full control over the amount of information you wished to hear. I suppose you could spend an entire day - if not more - in there if you listened to everything on the guide.
Some more details from the museum itself (yes, I went a little crazy with the camera but I just kept seeing new angles and patterns):

(Day light coming through the top of the atrium)

(View of the floors with the circular patterns and the lights of the ceilings)

(Even the ceiling forms a beautiful pattern in itself)

(Close-up of the circular suspended lamp hanging in the atrium)

(From the main staircase - it looks like a 'funny house' where there are stairs upside down as well)

(Different materials, structures and patterns - yet it all comes together beautifully)
The museum has an outside terrace with fountains as well. I suppose they use it for outdoor events during the winter but I don't know if it has other use than being a pleasant 'oasis' offering great views of the city:

(Outside terrace and fountains - and a local man taking pictures)

(Close-up of the outside fountains with a view of Doha city across the bay in the background)

(View from the terrace: the Qatar Islamic Cultural Center Fanar and a fishing boat)

(View from the terrace: a local fishing boat returning to the harbor)
As you walk away from the museum it - again - seems to change its shape:

(The museum from the side)

(The museum from the side - with palm trees, lamp posts, arches and walkways perfectly aligned)
And a last view from ashore (where the water access becomes visible as well):

(The museum seen from ashore)

(The Doha city skyline across the water - as seen from the side of the museum)
There is one more thing I really appreciated about the museum: the custodians were all young local women (I'd guess final year of high school or maybe college students). I don't know if they were paid for their job or if it's somehow part of their studies (maybe they get credit for doing voluntary work at the museum?) but it is the first time in this region that I have seen this scale of locals working.
As I have talked about before, most non-governmental jobs are held by migrant workers. Almost all service jobs (from cleaning and driving to hotels, shops and restaurants) are held by migrant workers from India, Pakistan, the Philippines, Egypt and other Middle Eastern and Asian countries. In Kuwait I have seen a few locals work in some of the mobile phone service offices, some doing passport control at the airport and a few are in charge of security at the malls (maybe they don't trust foreigners to do that) but apart from that I rarely see Kuwaitis work in the public space (the majority as I said hold office-type government and ministry positions and a lot of women work from home doing food and cake businesses for example so it's not that they don't work they are just not very visible).
Apart from the many young women employed at the museum - and may I add in very stylish yet conservative uniforms that were designed to integrate the black veils that most Qatari women wear - I also saw a lot of women employed at the airport. Apart from the passport control women there were also uniformed women in control of the queuing lines. I found this a bit of an unusual sight because the women would actually tell men off if they did not wait in line.
I don't intend to make it sound like women in this region don't work - or that locals in general in this region don't work because that is certainly not the case. But as I said I have never been anywhere else in this region where I have actually seen so many locals work in visible positions that elsewhere would have been offered to migrant workers.








































